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There was no place for me to return to. This was the only place I could go back to! But now… where are you going? Why do you have to go? Naturally, he leaves anyway.
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And to do that, we need to talk about spherical hermaphrodites. Platonic love, Platonic form… but Socratic dialogue, right? And Socratic irony? Why not Platonic dialogue or Socratic love? According to Aristophanes, people used to be spheres with two heads arranged back to back , four arms, and four legs. No wonder Zeus got jealous. All of them, once they were snipped, wanted nothing more than to be whole again, and so they rushed about frantically embracing each other, seeking the half that they had lost.
Ridiculous though it is, this account of love feels… somehow… right. People are essentially unsatisfied, to our very bones we are unsatisfied, and love does seem to fill that gap. Imagine a world where it was the other way around. Now, there is nothing very explicit about any of this in Cowboy Bebop. And consider this mildly racy screenshot, showing Spike and Julia becoming one flesh.
I mean, that too — but not just that. Well, at this point in the series we know Spike about as well as we ever will. What about Julia? What traits does she bring to the table? She drives fast? Artificial intelligence! Genetically engineered corgis! Aaaaand… a land-line telephone hooked up to an answering machine. The things we turn out not to be able to imagine. Now, this is the first time that Julia has appeared, actually appeared, in the entire show!
Knowing her is surely the key to knowing him, and by this point we are simply dying to know him! And how do the writers use this opportunity to show off who Julia is? And what is the sequence used for instead? Well, take a closer look at those images. See the pattern of red dots on monochromatic backgrounds? Huge one for the planet mars, then the umbrella, then the teeny tiny answering machine dot? Instrumental versions of this melody have been used throughout the series in almost every episode.
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In the middle of the savanna, with no means to treat the wound, the leg rots, and death approaches. The man got onto the airplane that finally arrived, and there he sees a land of pure white below him.
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The place glistening in the light was the summit of a snow-covered mountain. The name of the mountain was Kilimanjaro. You told me when we first met that you were a man who had already died once. Just forget the past, okay? Although I think this is still strongly implied. He had destroyed his talent himself. Why should he blame this woman because she kept him well? He had destroyed his talent by not using it, by betrayals of himself and what he believed in, by drinking so much that he blunted the edge of his perceptions, by laziness, by sloth, and by snobbery, by pride and by prejudice, by hook and by crook.
What was this? A catalogue of old books? What was his talent anyway? It was a talent all right but instead of using it, he had traded on it. It was never what he had done, but always what he could do. What is that? Your intuition? Because, just then, death had come and rested its head on the foot of the cot and he could smell its breath.
Or it can have a wide snout like a hyena. Or, as we find out at the end of the story, it can come in the form of a rescue plane. I mean, obviously.